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The Margaret Fuller Story and Why We Celebrate

By Laurie James
Initiator of The Margaret Fuller 2010 Bicentennial Committee

Margaret Fuller is acknowledged as having been the most brilliant woman in America. Radical and controversial in her day and age, she was a world celebrity in the 1840s as well known as Gloria Steinem is today.

She should be remembered not only as our foremother, but also as first American to write a book about women’s equality. She laid the groundwork for the women’s rights movement in the United States.

Yet at least one contemporary scholar suggests that it is up to future generations to decide whether or not she is to be remembered. The inference is that her worthiness may be questionable. This is similar to a statement by her close friend, Ralph Waldo Emerson, when he wrote his summation that his friend Margaret Fuller only represented “an interesting hour & group in American cultivation.” His deduction is that her work was “without result” and her life “was wasted.”

History and literary texts appear to ascribe to this same estimation because time and again she is left out, ignored, not given credit or stature. Thus, more than a century after her death Margaret Fuller is largely buried in history.

Ahead of her time, Fuller overcame so many barriers and acquired so many “firsts” that it is astonishing that she is trivialized in this way and that most don’t know who she is or what she accomplished:

First American to write a book about equality for women
First professional war correspondent/ set standards for war coverage
First woman journalist on a big city daily, Horace Greeley’s New York Daily Tribune
First woman foreign correspondent
First woman literary critic / set standards for literary criticism
First editor, The Dial magazine
First to lead paid “Conversations” (“rap sessions”/educational groups) for women
First woman permitted inside Harvard Library for research

Fuller’s major book, Women in the Nineteenth Century, reprinted several times since 1845, has influenced thousands of women and men including Elizabeth Cady Stanton, Susan B. Anthony, Sarah Grimke, Mary Livermore, Paulina Wright Davis, Edna Dow Cheney, Elizabeth Oakes Smith, Ernestine Rose, Caroline Healy Dall, Julia Ward Howe and many others. Male contemporaries who infused some of her ideas about women into their works include Ralph Waldo Emerson, Theodore Parker, Henry David Thoreau, and William Henry Channing as well as others.

In our second wave of feminism we truly stand on Margaret Fuller’s shoulders as we begin to see Fuller’s ideas alive in the ideas of Betty Friedan, Gloria Steinem, Germaine Greer, Gerda Lerner, Caroline Bird, Robin Morgan, Jessie Bernard, Riane Eisler, and others, as more and more women gain self-definition, develop confidence and talents, participate and assume vital roles in community and world.


Margaret Fuller (1810-1850) was the eldest child of Timothy and Margaret Crane Fuller, born in Cambridgeport, MA. Her father was a lawyer and congressman who early recognized her precociousness and guided her with highly pressurized lessons, from Latin to the classics, as though she were a boy to be enrolled in Harvard. She always responded successfully even though reciting to her father after he came home late at night brought on headaches, nightmares, sleep walking. She was considered an anomaly by classmates. This reputation was to stay with her throughout her life. Edgar Allen Poe was to comment about her, “Humanity can be divided into three classes – Men, Women, and Margaret Fuller.”

Nevertheless, stretching her mind with such writers as Virgil, Horace, Ovid, Plutarch, Shakespeare, etc., was a joy for Fuller, and she was later to write, “Very early I knew that the only object in life was to grow.” She was always a high achiever in school, and hated the boarding school for young ladies in Groton, MA. She was later to comment, “I was now in the hands of teachers, who had not, since they came on the earth, put to themselves an intelligent question as to their business here. They believed that exercise of memory was study, and to know what others knew, was the object of study. But to me this was all penetrable. I had known great living minds – I had seen how they took their food and did their exercise, and what their objects were.”
Like other privileged girls, she only attended school until she was fifteen, since higher education, as well as Harvard and other colleges, were closed to women. At home, she was dismissed from domestic chores and she set a rigid fifteen hour daily schedule of self-study. Truth was her maxim. “Give me truth!” she would pray even at a young age. “Cheat me by no illusion!”

As a young woman, she served as reader/translator for Rev. William Ellery Channing, and, always the center of attention as a lively wit, mixed with the circle of young men attending Harvard, becoming lifelong friends with many of them. There is no doubt she aimed for perfection, as admitted, “I have learned to believe that nothing, no! not perfection, is unattainable.” Still she knew she had faults: “There is plenty of room in the universe for my faults, but I cannot spend time thinking about them, when so many other things interest me more.”

At the age of 23, her father unexpectedly died and her mother and siblings were thrown into near desperate straits. Fuller as the eldest took the helm. Luckily, she met and became friends with Ralph Waldo Emerson who introduced her to his friend, Bronson Alcott, who hired her to teach in his innovative Boston Temple school for children. Following this she taught adolescent girls at the Greene Street School in Providence, Rhode Island, and began to formulate curricula for girls to develop self-confidence, self-respect, and self-help. With her earnings she contributed to sending three younger brothers through Harvard.

Soon Fuller and her friend Elizabeth Peabody became the only women regularly admitted into Ralph Waldo Emerson’s inner-circle of ministers and followers who were breaking away from the old forms of religion and defining new ideas known as Transcendentalism. Both women made incomparable contributions to this group.

Fuller was still pressed for a way to earn a living and help her mother and siblings. She offered for a fee a series of "Conversations" for women, many of whom were privileged Bostonians. Her purpose was to upgrade the minds of women whose educations had ended early. She chose a theme for each session, such as Greek Mythology, Beauty, or Life, then asked questions, inspired discussion, and ended with a summary that included her opinions. Her "Conversations" were extremely popular and, about the same time, the Transcendentalists launched a utopian experiment in communal living named Brook Farm in West Roxbury, MA, where she often visited and gave her "Conversations". She was so well received that the Brook Farmers built and named a cottage after her. However, she thought utopia was impossible to build up: “It is a constellation, not a phalanx, to which I would belong!”

The Transcendentalists further decided they needed a journal as a “voice” to spread the new thought, and Emerson appointed Margaret Fuller as editor of The Dial magazine. She generated the layout and tone, solicited articles, edited, wrote fillers, etc., and Elizabeth Peabody, when needed, took on the printing. Significantly, Fuller originated several major articles for The Dial pages, particularly when the male ministers failed to meet deadlines. With her essay "Goethe" she was one of the first to translate and introduce Goethe’s writings to the American public, all of whom regarded the scandalous German inappropriate to be read even by ministers. Her article, "A Short Essay on Critics", set up a philosophy of standards for criticism, and gave credence to American literature at a time when literary criticism was not regarded as a necessary ingredient in our country.

An essay on the equality of women led to her ground-breaking book, Woman in the Nineteenth Century, which established her reputation as a world celebrity and caused controversy, shock, and discussion throughout the English speaking world. At a time when feminine strength was seen as best when it was weak and meek, Fuller took up her quill pen and shouted out in print, “Let them (women) be sea captains, if they will!”

Fuller’s book, the first in America analyzing women’s role in history and society, advocated an idea considered radical, women’s equality, and is permeated with Transcendental values of self-development, independence, self-reliance, and social reform. In addition, she dared to analyze and equate prostitution with the plight of married ladies, as well as to discuss androgyny and same-sex relationships, something almost no writer dared to affirm on the printed page. She emboldened, “It is so true that a woman may be in love with a woman and a man with a man.” This was outrageous in 1845.

With an offer from Horace Greeley to create a literary department on one of America’s largest daily newspapers, his liberal New York Daily Tribune, Fuller moved to New York City and established herself immediately as a top critic, with Edgar Allen Poe as her only rival. Her reviews and essay-like articles appeared regularly on the front pages. Observing that American writers imitated European styles, she called for a fresh, original American literature emanating from the heart and soul of our vast new country. “There is,” she wrote, “in every creature a fountain of life which, if not choked back by stones and other dead rubbish, will create a fresh atmosphere, and bring to life fresh beauty. And it is the same with the nation as with the individual man.”

Social issues also became one of Fuller’s major interests, and she regularly covered and wrote exposes of New York’s poverty and city institutions. She was outspoken about needed improvements, particularly concerning immigration, the orphanage, the poor farm, the insane asylum, and the penitentiary. She called for a satisfactory and healthful sanitary system, professional training and standards, additional money for improvements, and advocated that a half-way home be established for women prisoners who were released from jail.

By this time, she was so well known that Ralph Waldo Emerson quoted her as quipping, “Now I know all the people in America worth knowing and I can find no intellect comparable to my own!... God forbid that anyone should conceive more highly of me than I myself!”

Within a year she convinced Greeley to assign her the position of travel and foreign correspondent – thus, she became the first woman foreign correspondent. Traveling extensively throughout Europe, she sent dispatches to the Tribune describing the gap between appalling poverty and elegant social life. Literati welcomed her into their homes, including George Sand, Thomas Carlyle, Thomas de Quincy, William Wordsworth, Harriet Martineau, and others.

Arriving in Italy, she joyously cried out to Americans, “Italia! O Italia!” This was where she felt she had long belonged. And she stayed. Settling into Rome, she participated as a tourist, sending dispatches to America in praise of the people and the colorful historic sites, but soon she was, like the Romans, involving herself in politics. She met a nobleman, Marchese Giovanni Angelo Ossoli, who eventually became her lover. The two were swept up by the onrush of the Risorgimento, a struggle to unify Italy since it was divided into nine states that were ruled separately by princes, kings and, in Rome, by the Pope. The Risorgimento was led by her Italian friend, the formerly exiled Joseph Mazzini. At the helm of defense was the military fighter, Joseph Garibaldi, reputed as leading a legion of desperadoes. She strongly supported the people’s resurgence and viewed the Italian Revolution as similar to the American Revolution. Throwing her heart into the struggle, she wrote penetrating articles -- the only news Americans had of the escalating situation. She called for an American ambassador to become involved. “Another century and I might ask to be made Ambassador myself… but woman’s day is not yet come.” She felt that the old powers were no longer legitimate, and she predicted that all Europe, including Great Britain, would be under republican government in the next century.

When the fighting broke out onto the streets of Rome, she was at her window, and followed with detailed eye-witness reports. Thus she became the first professional war correspondent. She paved the path for war reporting for men and women correspondents who ventured into the Spanish-American war and World Wars I and II.

Moreover, she was asked to take on the directorship of the hospital, Fate Bene Fratelli, on the Tiber Island that had been hastily set up for war wounded. Here, without experience in nursing, she spent long hours as well as at the Quirinal, the Pope’s palace and gardens, also allocated to convalescing soldiers.

In 1848 Fuller left Rome for the mountains of Riete where she and Ossoli were probably married and where she gave birth to their baby. (Scholars today conjecture about whether or not a wedding ceremony took place because a marriage certificate cannot be found.) By this time, Ossoli had been disinherited because he had joined the Civic Guard and, as a captain, was fighting against the tradition of his family’s alliance and service to the Pope. Needed at the front, he could only visit Fuller for short periods of time. Fuller left her son with a wet nurse, and returned to Rome where she could continue covering the war and thus earn a living.

War was even more dreadful than she had imagined. A friend wrote her that she surely must be glad to have the opportunity of carrying out her principles. She replied “Would it were so! I found myself inferior in courage and fortitude to the occasion. I knew not how to bear the havoc anguish to the struggle for these principles… And the sight of these far nobler growths, the beautiful young men, mown down in their stately prime, became too much for me. I forget the great ideas, to sympathize with the poor mothers, who had nursed their precious forms, only to see them all lopped and gashed.”

In one of her last dispatches she made an impassioned plea to Americans to prize and guard democracy and to extend support to others: “Be on the alert! Rest not supine in your easier lives, but remember ‘Mankind is one, and beats with one great heart.’”

With the defeat of the Republic and the French occupation of Rome, Ossoli and Fuller fled to Riete, where they found their baby near death because payment for the wet nurse had failed to make it through the war zone, therefore, the wet nurse had fed the infant on bread and wine. For a month they desperately nursed him back to health, and then the three set off for Florence where Fuller began to write a history of the Italian Revolution. Believing her book could best be published in the United States, she decided to return home. Their ship encountered a fierce summer storm with gale winds off the shores of Fire Island, New York. On July 19, 1850 the ship broke apart and sank into the ferocious Atlantic waves, and Ossoli, Fuller, and their two year-old son drowned. Margaret Fuller was forty years of age.

The astounding news of the tragic deaths staggered Americans. Emerson sent Henry David Thoreau to Fire Island to see what could be found or done. William Henry Channing also rushed to the scene. Thoreau found only a button from Ossoli’s coat. Fuller’s and Ossoli’s bodies never washed ashore. The baby was buried in a sand dune by surviving sailors, and later moved to the Fuller family burial ground at Mount Auburn Cemetery in Cambridge, MA. Fuller’s one and only manuscript of the history of the Italian Revolution was never found. A box of love letters written by the Ossolis to each other during the Risorgimento finally washed ashore.


Why should we honor and celebrate Margaret Fuller?

More than a story of a celebrity from the past, or of a life of extraordinary accomplishment cut off in its prime, hers is a great soul to be emulated, a determination to grow, a courageous demand to search and speak for truth, a struggle to develop the mind to its capacity, a boldness to overcome obstacles, a bravado to break with tradition when others impede, an imagination and spirit to envision beyond the ordinary, universally.

Isn’t this reason enough to honor and remember Margaret Fuller?


Women’s issues and the nineteenth century are Laurie James’ expertise and passion for the past thirty-five years. Scholar/actor/author, she has initiated The Margaret Fuller Bicentennial Committee and, along with Co-Chair Daniela Gioseffi, is organizing events in New York City, while Rev. Dr. Dorothy Emerson is organizing events and publications in the Boston/Cambridge/Concord areas. James has researched, written and acted in her original solo drama entitled Men, Women, and Margaret Fuller, throughout the USA and parts of the world, has written four books on Fuller as well as articles and docu-dramas which link the nineteenth century with today’s concerns.

To find out about "Winter Wheat", Laurie James' one-woman drama on Elizabeth Cady Stanton, follow these links.

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